Haute Potture

So often, we use the word 'magical' to describe a particular kind of fashion aesthetic; something beautiful that somehow, in its fabric,  design, construction and fall on the body evokes an idea of the 'other'. Something from the wondrous depths of the human imagination.

One only need look to: Valentine, Elie Saab, Meadham Kirchhoff; Dolce & Gabbana a/w 14; a Mark Jacobs (a/w 12, a/w 13) or Lagerfeld show (s/s 12).

Or a Harry Potter movie.

Bear with me, I’m not going to start discussing in minute detail the warp and weft of Ron Weasley’s pyjamas. Instead, my aim is to pay homage to the costume designers, assistants and a number of stand-out costumes that will, wonderfully, live on for ever through the magic of film.

So, let's start at the top. The big man. Dumbledore.

  

The craftsmanship and attention to detail seen in Dumbledore’s robes is mesmirising. With gossamer-like embroidery and sheer sorcerous wafting-ability, the Hogwart's Head has serious style power. And thanks to the Warner Bros tour, you get to see every stitch up-close and personal. No glass cabinet masking the splendour of light hitting fabric or suffocating the art of a beautifully-designed garment.

Intricately woven by the hands of elves (well, probably)

Discussing costumes featured during the eight, formidable Harry Potter films, without mentioning the dreamlike, pivotal Yule Ball from the fifth instalment, The Goblet of Fire, would be like going to school without the threat of a psychotic dark lord pummelling every school year.

It was of course when Hermione stepped out of her Griffindor robes, tamed her wild, auburn locks and wowed her fellow classmates in this, a beautiful and very clever ball gown. Girly enough not to belie her young years yet just grown-up enough to make Ron and Harry's jaws drop to the floor - the power of a dress to secure a man’s heart for ever. 

Muggles and wizards alike know how spell-binding coordinated accessories can be

And who could forget the utter triumph of the Beauxbatons Academy of Magic uniform?

Beautiful, whipped felt hats, classic brogues with an ultra-feminine update and a silk cape in the most powdery of powder blue... Clémence Poésy as Fleur Delacour looked resplendently - and dutifully - French. Yet again, the costumiers (including designer, Jany Temime) perfectly balanced character, story and sartorial sorcery.

The real magic here? The undeniable power of fashion, costume - call it what you will - to define a moment, weave into a setting, story or character and make it real.

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